Powerage
– Protest to survive 7”EP (Neg. FX, France, 1985) – Front Cover
Powerage
– Protest to survive 7”EP (Neg. FX, France, 1985) – Inside 1
Powerage – Protest to
survive 7”EP (Neg. FX, France, 1985) – Inside 2
Powerage
– Protest to survive 7”EP (Neg. FX, France, 1985) – Back Cover
Powerage
– Protest to survive 7”EP (Neg. FX, France, 1985) – Insert 1
Powerage – Protest to
survive 7”EP (Neg. FX, France, 1985) – Insert 2
There
is something to be said about a South African punk rock EP being published in
France in 1985. Most of those things would start with questions. Why could an
anti-apartheid album not be published in South Africa? Or was it better off
being published in France? What links did the South African punk scene have
with the European punk scene during this time? How were these relationships
formed? The answers to these questions seem simple, but the more one looks
between the lines a strange picture of unity within estrangement emerges. It is
this picture that I will focus on, for the former questions cannot be answered
accurately without interviews.
It
all starts in the context of apartheid, a framework of forced segregation. By
1985 a significant divestment movement throughout the world had begun placing
pressure on investors to disinvest from South Africa. The global community was
in a strong reactionary phase to the apartheid regime. And in Durban South
Africa a small pocket of white resistance was making itself heard within the
global community of punk rock.
Positioning
themselves as anarchists against the discrimination of fellow men, Powerage
sang out against apartheid, but more so than that against discrimination. For
it is the plight of the punk rocker to be discriminated unjustly against for
their modes of dress, musical taste, and beliefs about “the system”. And it is
in this judgement from “civil” society that a connection of unity can be made
between an estranged group of white punks in Durban to those suffering from the
oppressions of apartheid mandate. In a recent conversation with Ampie Omo
trombonist of monkee punk band BOO! A similar notion came up 17 years after the
end of Apartheid with small communities fighting for their identities - the
right to keep their languages and customs alive. What he said was that
(although I do believe he was references an earlier conversation had with Chris
Chameleon) all these communities are fighting the same struggle, the struggle
for their own identity, and while their identities, languages and customs may
be different, they are fighting against the same concept. Afrikaans, Pedi,
Tswana. And they must unite in order to conquer.
While
the struggle during apartheid was seemingly different, it was a fight for
citizenship and recognition, to be part of a larger whole. The irony, it seems,
is that now that apartheid has ended small cultural groups are becoming
estranged from their cultural heritage’s and are being forced to become part of
the global community. To be educated in English, to believe with all their
might in consumerism, and the goodness of monetary wealth. They are controlled
by large scale border controls. They have passports instead of pass books. We
all have passports. We are all stuck in a global apartheid. But the oppressor
is faceless, it has become a system of laws and regulations – hedged by
corporates with their own wealth in mind and the well-being of those enslaved
during colonialism has become a situation of adapt or die. And the punks still
sing out. The fools of modern society, except that nobody is listening or
laughing. Their ears and eyes blind folded and deafened by media and songs
about Jimmy Choos and lady lumps. If only Plato could see his golden lie in
action today.
While
the hatred bred in apartheid between whites and blacks in South Africa keeps
them living in the past, blind to the larger injustices of the world. The new
regime of neo-liberalism spreads its blind octopussy tentacles and segregates
the world into first and third, richer and poorer. Better off and worse. And
the words written in 1985 by a group of anarchist punks still speak true “We as
a band stand against any discrimination of fellow man, we believe that everyone
should live in a state of equality, no matter of race, religion, wealth, music
and way of dress. We therefore stand against any law that denies a person equality,
their human rights. We strongly oppose the laws regarding Apartheid in our
country.” Except that now it is the global apartheid to which we can refer.
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