Folk the Park and the Neoliberal South Africa

(This is a slight introduction to the research I will be immersing myself into for the next few months, its still a bit disjointed, and incomplete, but I shall be building on it over the next year in preparation for my dissertation.)

Folk the Park, a guerrilla folk festival held at either Emmarentia Dam or Zoo Lake, is a seemingly political activity with no political agenda. It is now looking forward to its fifth event and is attended by over 200 people, a large majority of those in organisation, attendance and performance are punks.  I plan to study how the punks occupy the space of Folk the Park. In terms of their dress, performance, and interaction in order to better understand Levi Straus’s idea that “Images cannot be ideas but they can ... co-exist with ideas in signs and, if ideas are not yet present, they can keep their future place open for them and make its contours apparent negatively.” (Strauss 1962; 13)  I would like to explore what ideas could be extrapolated; Folk the Park being a sign, and because of its context with in Johannesburg, a post-apartheid city – in just existing it creates a space for meaningful ideas. I shall juxtapose this with a study of how previous events in South African music have been seen to have meaning, or ideas attached to them.  

Folk the Park is seemingly political in relation to law. The law in Johannesburg stating that to have more than 15 people in a public space constitutes a protest, a law which has its roots in the Riotous Assembly and Suppression of Communist Amendment Act, Act no 15 of 1954. But one could go further back to the first take-over of land in the 1600’s with the reclaiming of the commons, when land became property that could be owned. The disjuncture comes in when we look at the fact that all Folk the Park stands for is a free platform for bands to play their music and jam with other musicians, within a public space. 

Folk the Park is not a new concept, in the 1950’s The Kwela Jam Sessions were held at the Zoo Lake. They started coming under government attention when white kids from the suburbs became interested in them. This is an example of another instance in history which underlies a seemingly political activity with no agenda. But in having the situation meaning has occurred. There are multiple instances of this in South African music history. Another example would National Wake – a multi-racial punk band who existed between 1979 and 1982. While they believed themselves to have no agenda, their existing created meaning within the context of Apartheid.

In using Folk the Park I hope to attain an understanding of the meaning or ideas that this festival creates in today’s context in relation to a past of South African music which also embodied the ideal of seeming like protest but had no underlying agenda, and the meaning those instances created in a South African context.

In doing this I hope to explore the relationship of the nature of ideas to the study of anthropology and is theoretical framework. For if anthropology is but a study which transposes ideas (theories) upon subjects what is its role as a science? Or how does it question the nature of science, being a largely deductive discipline.

In order to understand the meaning that such an event as Folk the Park would have in the greater scheme of things is no simple task, for a history of South Africa, and Johannesburg is to some extent necessary. The cross pollination of Colonial frames into Africa is something that has to be detailed.

Let us start in the micro. A conversation turned rant had with a friend, a self-labelled punk, who regularly attends and performs at Folk the Park, Mike B. This conversation took place at The Bohemian, a live music venue in Richmond, Johannesburg. “What can an upper middle class kid in South Africa do? I know I have money behind me, and my parents expect me to be the same as them, get a job, make more money. I don’t want to fucking make money. What’s the point about singing about anarchy here. What difference does it make? We’re a minority. I’m just going to sing about beer and getting drunk. Fuck singing about politics.”

He stops, calms about and apologises. “Sorry. I’m frustrated.”

The frustration that Mike feels is a common sentiment amongst the group of Jozi punks with which I hang out regularly. Caught in a post-apartheid, neoliberal, capitalist system. Most of them do have money behind them, but they see the nature of inequality and hate the fact that they do. Money is the evil, gained off of the backs of exploitation during apartheid.

The story of South Africa from 1994 is not a new one. Nelson Mandela was elected as the countries president, and the nation’s ideology was meant to shift to one that embraced a non-racial South Africa. (Tomlinson, et al; 2003) But looking back to 1979 and footage from a National Wake show held on Rocky Street in Yoeville, the project of apartheid only seems to have thickened. The footage shows a muli-racial crowd dancing to the multi-racial band National Wake.  In an interview with Ivan Kadey, rhythm guitarist and only surviving member of the band, he explained that the streets in apartheid were never segregated. 

It seems that now, in the wake of Apartheid even though the laws the held class, and racial divisions in check have been removed. A culture of fear in the growing disparity between the high rates of poverty and unemployment, lack of housing has taken on the new face of segregation. The symbol of this fear being high walls, an influx of security companies – privately owned and the growing number of boomed off areas, that have become common in the upper-class suburbs to the north of the city. As Louw suggest the adding of these security measures “encodes class relation and residential segregation (rass/class/ethnicity) more permanently in the built environment.” (Louw; 387)

The dismantling of apartheid gave way not to a mutli-racial South Africa, but a neo-liberal South Africa. The essence of this era’s “economic fundamentals” are based in the necessity of attracting foreign capital, redistributing income, expanding the economy, balancing local government budgets, and counter-acting the AIDS epidemic. But the problems now faced but the country and its citizens that need to be solved in order to achieve a just system, do not seem to be aligned with the outcomes of neo-liberalism. (Tomlinson et al; 2003)

More-over it seems as if South Africa is still part of a colonial project, or a project of the “West”. While it may be argued that the West has become an integrated part of globalized culture, the disparities between the so called “first” and “third” worlds still remains evident. Johannesburg being a prime example in the micro of this macro picture; having both the traits of a first world economy– in its thriving business hub of Sandton, and the third world - present in the decaying city centre.

The hope portrayed for the beginning of the new South Africa by advertising agencies and consultants had been that foreign investment and tourists would flood to the city of Johannesburg. But the perception of the city as dangerous and the economy unstable stuck. And neither tourists nor investment came willingly. Even as South Africa made the transition to a neoliberal agenda of privatization, a down-sized government, open-markets and wage restraints as were the international “best practices” – the Johannesburg city centre still has not restructured itself to be attractive to the international capitalist market. The city was deserted by the affluent white working class communities who retreated to the suburbs and to form their new economic centre in Sandton, as the city became the home to an influx of Africans from around the continent. This created a new hub of street traders, prostitutes and drug trading (Tomlinson et al, 2003).

Following its independence from the British colony South Africa was given the chance to remold itself. But the nature inherent in the structures of built society dictates a specific system of order - one that was inherited from the colonies. And Johannesburg as a city has not been able to break free from the ever looming presence of the Western World. We are still driven by its ideals, even though the majority of the population is in poverty, and with the introduction of privatised water and electricity the constitution promised in 1994 has been breached. What with Suez installing pre-paid water meters in Soweto in 2003, which led to massive water disconnections. (Bond; 122)

Around the world various groups and organisations have been standing up against the injustices of neo-liberalism, in South Africa the Anti- Privitisation Forum is at the fore-front. Their aim: to liberate electricity and water from expensive and unreliable meters. As well as to win access to basic lifeline electricity and water. (Bond; 124)

And within all of this turmoil, there is a group of middle class white kids inhabiting a park and playing music. For seemingly no end other than to play music. But on the inside there is more going on. As Mike’s rant shows, there are feelings of angst, guilt, frustration building up, of hopelessness of being an elite minority, of wanting a better world, in light of the poverty faced every day. And it is these ideas which I will explore within the context which I have so briefly outlined.